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Richard Buckler
American, 1949-2017

Richard Buckler American, 1949-2017

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Open a larger version of the following image in a popup: Richard Buckler, Cyclone – Original Interior Comic Page (Page 3), Circa 1980s
Open a larger version of the following image in a popup: Richard Buckler, Cyclone – Original Interior Comic Page (Page 3), Circa 1980s
Open a larger version of the following image in a popup: Richard Buckler, Cyclone – Original Interior Comic Page (Page 3), Circa 1980s
Open a larger version of the following image in a popup: Richard Buckler, Cyclone – Original Interior Comic Page (Page 3), Circa 1980s
Open a larger version of the following image in a popup: Richard Buckler, Cyclone – Original Interior Comic Page (Page 3), Circa 1980s

Richard Buckler American, 1949-2017

Cyclone – Original Interior Comic Page (Page 3), Circa 1980s
Ink on paper
22 x 14 in (56 x 36 cm)
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Further images

  • (View a larger image of thumbnail 1 ) Richard Buckler, The Maltese Faleen Original Cover Illustration, Circa 1970s
  • (View a larger image of thumbnail 2 ) Richard Buckler, The Maltese Faleen Original Cover Illustration, Circa 1970s
  • (View a larger image of thumbnail 3 ) Richard Buckler, The Maltese Faleen Original Cover Illustration, Circa 1970s
  • (View a larger image of thumbnail 4 ) Richard Buckler, The Maltese Faleen Original Cover Illustration, Circa 1970s
  • (View a larger image of thumbnail 5 ) Richard Buckler, The Maltese Faleen Original Cover Illustration, Circa 1970s
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An original interior production page from Cyclone, executed entirely in ink on paper and hand-signed by the artist. The page continues a fast-paced action sequence driven by kinetic dialogue, sound...
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An original interior production page from Cyclone, executed entirely in ink on paper and hand-signed by the artist. The page continues a fast-paced action sequence driven by kinetic dialogue, sound effects, and tightly structured narrative pacing typical of Bronze Age comic storytelling.

 

The scene depicts Cyclone using a magnetism-based device integrated into his belt to deflect gunfire, retrieve his weapon, and counter multiple armed opponents. The composition emphasizes rapid tactical shifts, heightened tension, and visualized action described through integrated lettering and dramatic narration.

 

Buckler’s approach merges illustration and textual storytelling into a unified page design, reflecting the production methods of 1970s comics where dialogue, effects, and imagery were developed together to maximize narrative intensity and reader engagement.

 
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