A large-scale street work produced in Brooklyn circa 2020, Untitled (Drunk Skeleton) presents a fragmented two-panel composition rendered in spray paint on wood. The work depicts a skeletal figure in a distorted, animated state, merging humor and decay through a raw, gestural street aesthetic.

Executed with direct spray application, the piece emphasizes immediacy, surface tension, and urban materiality. The segmented format enhances the sense of instability, as the figure appears to shift between panels, reinforcing themes of excess, disorientation, and urban nightlife culture.

Rooted in contemporary Brooklyn street practice, the work reflects a darker, satirical edge within the artist’s visual language, balancing graphic simplicity with symbolic commentary on mortality and indulgence in the modern city.