Otom is a poised figure born from Gagnier’s unique approach to portraiture—melding sculptural tradition with painterly tactility. The figure stands serene and compact, capturing a delicate moment of presence rendered in muted tones and subtle texture.

Material & Technique

Painted Hydrocal plaster: The surface retains organic marks and layered pigment, a testament to Gagnier’s sculptural process and his embrace of imperfection.

Modest scale: At just over two feet, the figure becomes an intimate encounter—accessible, quietly powerful, and deeply human.

Concept & Interpretation

Rather than constructing a likeness, Gagnier presents an emotional presence—a “citizen” in miniature. The figure seems both fragile and resolute, suggesting ideas of identity, vulnerability, and shared humanity. It is a sympathetic portrait of being—unidealized and resilient.

Context within Practice

Otom continues Gagnier’s exploration of the human form across figurative sculpture and painted objects. Shown in Twelve Chairs Gallery’s 2025 ROOTS group exhibition alongside works like Standing Figure and Citizen, it emphasizes community and material connection.

In Otom, sculptural presence is transformed into personal reflection. Its tender scale and textured truthfulness make it a compelling statement about the beauty in vulnerability and the power of understated form.